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The Relationship Between The Pattern And Timbre Of The Violin Back Panel09-23-2024 The Relationship Between The Pattern And Timbre Of The Violin Back Panel fibers, the absorption and reflection of incident light are different. The patterns that are manifested as light and dark or diverse forms are what we usually call patterns. If considered from an acoustic point of view, the wood fibers are long and neatly arranged. It will have a good resonance effect.During Qin board processing, many wood fibers will be cut off due to the curvature and thickness of the production, so that the wood fibers of the Qin board are no longer continuous in many places.Obviously, the more curly the wood fiber (that is, the better the pattern), the more chance it will be cut off in multiple places, and the shorter the fiber. This affects the strength and elasticity of the entire backplane, and the adverse effects on the acoustic effect are self-evident., Therefore, in history, some Italian qin makers have specially avoided maple wood with too deep tiger skin patterns. Maple wood with patterns accounts for about three-thousandths of all maple wood, which is very rare, so the wood is expensive.However, the acoustic quality of wood does not depend on the appearance attributes such as the thickness, size and direction of the pattern. The acoustic quality of wood is determined by the age of the wood, the wood rays, the color of the material, and even the timing of the logging. The sound quality of a qin depends not only on the acoustic quality of the wood, but also on the matching of the violin's back panel, the arc structure of the board, the production process, and the paint. Factors related.
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