The Violin Bow Method Better Expresses The Composer's Intentions

08-08-2024

The Violin Bow Method Better Expresses The Composer's Intentions

Practice has proved that reasonable annotation of the bow method to make it conform to the law of bow movement can often better express the composer's intentions.The problem we have to solve is how to master the specific use of the bow method.Therefore, it is necessary to analyze the use of some commonly used bow methods through spectral examples.Band performance is a cooperative art. All parts of the string strings need to strive for unity in bow movement and playing methods, rather than emphasizing personal playing habits.The so-called unity of performance method refers to the consistency in musical understanding and feeling, rather than simply requiring the player from the appearance.Of course, according to the needs of music, the basic parts of the bow, the contact point of the bowstring (near the qinma or by the fingerboard), and the

contact method of the bowstring (jumping off the string, or pulling on the string) need to be clear and unified.The choice and use of bows when playing band works are sometimes different from the technical rules of playing solo music.The former is often much more exaggerated than the latter in terms of intensity changes and expression range, so we cannot apply some of the music that is so light that we can hardly hear the sound when playing the band's works, or some of the intensity is extremely strong, rough and exaggerated rafa, to solo music.